Review of Got a Revolution! by Paul Kantner

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Tamarkin not only gives us a thorough history of this seminal San Francisco grouping--starting in 1965, when Marty Balin (nee Martyn Buchwald) decided to put a new kind of band together--but also follows information technology through its dissolution in 1972 and on to its various offshoots (Jefferson Starship, Hot Tuna, KBC Ring, etc.). Covering the pre-hippy days of the mid-'60s, through the Nixonian years and right on to J.A.'south reunion in 1989, Tamarkin also gives us a curtailed primer of a fascinating period of recent history. The book is replete with details of the band'southward principals only non exhaustingly so; that is, it never gets bogged downward with excess back story, but rather gives us all the info we need to empathize all the band members every bit fully fleshed-out people, limiting their back biographies to quick 10-page chapters. I have been a fan of Marty Balin, Paul Kantner, Grace Slick, Spencer Dryden and especially Jorma Kaukonen and Jack Casady for almost twoscore years at present, and still found an incredible amount of unknown data about them in this fast-moving history. (Spencer Dryden was Charlie Chaplin's nephew?!?! Who knew?) With chapters arranged in cliffhanger fashion, with a fascinating cast of characters and with many phenomenal stories, this book really does pull a reader in. And yet, Tamarkin does not yield to the temptation to sensationalize his tale. Indeed, to his credit, he admits right up front that there remain many "Airplane mysteries," and lets information technology go at that. Yeah, at that place are many juicy stories (I beloved the ane about Jack sitting in the mud pool on DMT, and Grace's escapades in Germany...not to mention that Reality D. Blipcrotch episode!), but many readers, I suspect, will be surprised that this book remains adequately levelheaded, with a minimum of wild sex and drug anecdotes. The anecdotes ARE there, merely only enough to give usa a feel for the time, place and characters. (One gets the feeling that Tamarkin could regale u.s.a. with fifty-fifty juicier tidbits over a few drinks ane evening.) The author has been given admission to virtually every primary character in the Jefferson Plane story, and the hundreds of hours of insider interviews have helped make this history practically definitive.
On some other note, I myself work every bit a copy editor and proofreader, and thus am happy to report that the book has also been put together near faultlessly. I merely counted four typos in its entire 400+-page length, and all those were of the punctuational diversity. The rare photographs on brandish are truly special (I just love the ane of Jorma in his Cub Scout uniform!), and the book's index is perfectly composed and quite handy when keeping rail of the history's large cast of characters. If there is one complaint that I would club--and information technology is a very pocket-sized 1--it is that in the volume's terminal third, more than infinite has been given over to the exploits of Jefferson Starship than Hot Tuna. Every bit a fan who has seen Tuna some hundred times in concert at this point, merely who has never had much use for post-"Dragonfly" Starship, I would have wished for a little more parity here, but I suppose information technology could exist argued that Starship was composed of more JA members than was Tuna, and then I'grand willing to allow the bespeak slide. Besides, this is a mere personal quibble. The fact remains, Jeff Tamarkin has done all fans of Jefferson Airplane a tremendous service with his wonderful book. I accept read it twice already, and will surely refer to it often in the years to come up. Thank you, Jeff!
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I've read at least a hundred rock bios, so have a solid basis for comparison and rating them. Got a Revolution is one of the best! The enormous amount of item may not make information technology the perfect book for casual fans, but information technology is the requisite bible for aficionados of non just Jefferson Airplane, simply the unabridged sixties San Francisco psychedelic
When Paul Kantner died recently (RIP Paul!), I went looking for a book nearly Jefferson Aeroplane and was surprised I had not previously come across this masterpiece.I've read at least a hundred rock bios, then have a solid ground for comparing and rating them. Got a Revolution is one of the best! The enormous amount of particular may not make information technology the perfect book for casual fans, but it is the requisite bible for aficionados of not only Jefferson Airplane, merely the entire sixties San Francisco psychedelic movement. Like Johnny Rogan's classic book well-nigh The Byrds, it is an impeccably researched, minutely detailed history of ane of the nearly original and culturally influential bands of all fourth dimension.
I get bored with rock bios that are simply one debauched drug or sex activity tale afterward another. Certainly some of those stories are interesting and also important to understanding the arc of a band (unremarkably why the ring or the quality of the music, or both, disintegrated). Tamarkin includes many such tales, only keeps his focus mostly on the music itself, album by album, track by track, from the band's early days at the Matrix on Fillmore Street in Cow Hollow up through Jefferson Starship and finally just Starship.
As someone else mentioned, one does not come away from this book with an extremely positive view of whatsoever of the individuals in Jefferson Airplane as people. They all had their faults, only you gotta love 'em. They were unique cats and the tensions and contest betwixt them helped drive the band for a long time. I once ran into Paul Kantner at Café Trieste, a java shop in the N Beach neighborhood of San Francisco. I shook his hand and said, "Paul, you're i of my heroes!" He said, "That's pretty scary man," only he was as nice as could be.
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Anyway, that didn't happen. This volume does a very good job tracing the complicated history of the Plane and its spinoffs. Just I wish I knew more about the people involved. Tamarkin seems to have access to all the primal characters, just his shut connection doesn't cut deep for any of them. So you get all the notori
What might've happened to sixties music if all the artists had some schooling in contract police force, a realistic relationship with drugs and alcohol, and a rewarding monogamous relationship?Anyway, that didn't happen. This book does a very skilful job tracing the complicated history of the Airplane and its spinoffs. Simply I wish I knew more than about the people involved. Tamarkin seems to have access to all the key characters, but his shut connection doesn't cutting deep for whatsoever of them. So you get all the notoriety but little of the sobriety—but that they're all much more than make clean and quiet now. The fascinating thing for me about the Airplane is how such wildly different people always made music together in the showtime place. After Bathing At Baxter's answers that just as well.
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I take a theory that some groups have so many geniuses that you cannot keep them together for also long. The Beatles are an example in my mind, and so is the Airplane. The stretch of albums from Surrealistic Pillow to Volunteers is hard to match, allow solitary trounce, and the shards that came out of the band had brilliant moments too. In that location were some very proficient albums by Jefferson Starship, and Hot Tuna is however gigging and worth seeing if they come to your town. But nothing compares to the Airplane. There is a quote from Bill Graham to the effect that when they were "on", no group in the world could vanquish them. I loved this book, though I imagine you accept to exist a fan before information technology will it will exist meaningful to you.
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"It'due south an interesting vocal, but it didn't do what I wanted it to do. What I was trying to say was that between the ages of nada and five the data and the input you get is almost indelible. In other words, once a Catholic, ever a Catholic.
And the parents read usa these books, similar Alice In Wonderland, where she gets high, tall, and she takes mushrooms, a hookah, pills, alcohol. And and then there's The Wizard Of Oz
Trying to explain her song White Rabbit, Grace Slick told author Jeff Tamarkin:"It's an interesting song, only it didn't practice what I wanted it to do. What I was trying to say was that between the ages of zero and v the information and the input you go is nigh indelible. In other words, once a Catholic, ever a Catholic.
And the parents read us these books, like Alice In Wonderland, where she gets high, tall, and she takes mushrooms, a hookah, pills, alcohol. And so there's The Wizard Of Oz, where they fall into a field of poppies and when they wake they see Oz. And so there's Peter Pan, where if y'all sprinkle white dust on you, you could wing.
And and then yous wonder why we accept information technology. Well, what did you read to me?"
If that was all that was in Got A Revolution!, it would be worth the price of admission. Information technology's not, every bit at that place'southward lots more. Jeff'due south descriptions of private album tracks are first-class, peculiarly if the reader is familiar with those tracks. He will make yous nod your head in agreement while thinking, "Huh! I hadn't thought of it that way."
It's a good book not only on Jefferson Aeroplane—and there's no "the" before Jefferson Airplane—but as well on the '60s and what followed (some of which is notwithstanding post-obit).
Read Got A Revolution! and feed your caput . . .
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Tamarkin does an splendid task of bringing to life the adventures of all who boarded the Airplane or the Starship.
It's besides directed me towards other music that I had been unaware of. Information technology's all good.
A book that has lain unread on my bookshelves for some time, I picked this out at present as I'm revisiting the Jefferson Airplane dorsum catalogue on CD.Tamarkin does an excellent chore of bringing to life the adventures of all who boarded the Airplane or the Starship.
It's as well directed me towards other music that I had been unaware of. It's all good.
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This volume is approached with brilliant detail. There are things I never knew nigh this ring that are in this book. The known controversies(Germany concert, "Paul/Jefferson" vs "Grace/Starship") are tackled caput on.
The Aeroplane are my favorite ring.This volume is approached with vivid detail. There are things I never knew about this band that are in this book. The known controversies(Federal republic of germany concert, "Paul/Jefferson" vs "Grace/Starship") are tackled caput on.
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i'm amazed, too, at the disproportionate coverage of the ring's history - woodstock (yawn) gets well-nigh 10 pages, the "crown of cosmos" sessions ge
i'thousand surprised at how trivial i've learned near the band from reading this. there's very niggling, if any, new data here. also, does anyone really intendance that much about jefferson starship and (cringing) STARSHIP? this volume is, according to the title anyway, supposed to embrace the airplane, and a full third of it deals with post-airplane stuff. yuck.i'k amazed, also, at the disproportionate coverage of the band'south history - woodstock (yawn) gets about 10 pages, the "crown of creation" sessions go almost two. WTF?
not bad, though hardly definitive, more like an extended anecdotal allmusic entry.
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Reading the book for the third time I yet found it a fascinating read.
"I saw Jefferson Starship in Glasgow concluding month then it prompted me to read this book again.(I read it on 14 December 2007) It is definitely worth a read for people who take heard the music of Jefferson Airplane and Jefferson Starship. It was written in 2003 and then could probably do with an update to cover events since and then." was what I wrote on 1 November 2012.Reading the book for the third time I nonetheless found it a fascinating read.
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Well written simply evidently just feasible reading material for those interested in this niche topic.

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